| Agency | What they do | People | Location | Website |
|---|---|---|---|---|
| FLATMIND Productions | Watch through our eyes | 2 - 9 | Hong Kong | flatmind.cn/ |
| Flare Communications Group | Creatively Inspired, Digitally Empowered | 10 - 49 | Hong Kong | flare.hk/ |
| Entertaining Asia | Event,Entertainment & Hospitality Consultancy Worl | 10 - 49 | Hong Kong | www.entertainingasia.com/ |
| Lime Content Studios | Hong komg's premiere video production company | 2 - 9 | Hong Kong | limecontentstudios.com/ |
| Carbon | Graphic Designer in Hongkong | 10 - 49 | Hong Kong | www.carbon.tv/ |
| Eighty Eight Pixels | We put your brand in the frame | 2 - 9 | Hong Kong | www.eightyeightpixels.com/ |
| Visualution Labs Limited | WE ARE SOLUTION | 10 - 49 | Hong Kong | www.visualutionlabs.com/ |
| 4HK | Watch Your Business Grow | 10 - 49 | Hong Kong | www.4hk.com.hk/ |
| The Hong Kong Fixer | Your brand is a channel | 2 - 9 | Hong Kong | www.thehongkongfixer.com/ |
| Axis Studio Limited | Animation Post Production Studio | 2 - 9 | Hong Kong | www.axisstudio.com.hk/ |
| Digital Business Lab | Social media marketing agency | 10 - 49 | Hong Kong | digital-business-lab.com/ |
| KREW LIMITED | Digital Agency powered by KREWatch Big Data Tool | 2 - 9 | Hong Kong | www.krewdigital.com/ |
| Fluxus Productions Limited | Hong Kong based professional photo, video and even | 2 - 9 | Hong Kong | www.fluxusproductions.com/ |
Best 15+ Animation Studios in Hong Kong
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FLATMIND Productions
Animation
We are a full-service video production company with more than 15 years of experience in China and Europe. We are passionate about telling your unique story with corporate marketing videos, live event videos, product videos, crowdfunding and campaign videos, education and training videos and animations.
2 - 9members
FromUndisclosedforAnimation
Located inHong Kong
Flare Communications Group
Animation
We are an integrated communications agency driven by collaborative approach to innovation, insight and creativity. We combine creativity, data and insights to develop comprehensive, current-to-market and consumer-centric strategies, provide marketing solutions to a portfolio of global beauty, lifestyle, FMCG and new technology brands.
10 - 49members
FromUndisclosedforAnimation
Located inHong Kong
Entertaining Asia
Animation
Entertaining Asia is an Events and Hospitality Consultancy based in Hong Kong. Providing key integrated service sectors to its clients in Hong Kong and around the world.
10 - 49members
FromUndisclosedforAnimation
Located inHong Kong
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Lime Content Studios
Animation
Video production in Hong Kong, Lime, creates world class b2b and b2c video productions for some of the world’s leading brands. From concept to production we have become Hong Kong’s most trusted video production house. We write and produce killer ideas for our clients through great Storytelling, Cinematography and Animation using the latest technology such as 4k and film grade equipment. : 13.5pt;">Our video production team are some of the most experienced people from the video broadcast industry and well-known production houses, including copywriters, directors, animators and producers. We work with start-ups all the way to the world’s biggest brands in finance, retail, property, luxury; you name it, there is not an industry we have not worked withRead more...
2 - 9members
From$25,000+forAnimation
Located inHong Kong
Carbon
Animation
CARBON is an independent motion graphics and design studio specialising in the creation and transformation of iconic brands that thrive in the ever-changing digital landscape. We are visual innovators, technical artists, pop-culture vultures and everyday people. We love what we do because our clients love what we do. We know their business and they know ours. We partner and collaborate with content creators and media leaders, building visual and emotional connections. There's a lot of moving parts but it's sum of all parts that drives excellence in everything we do.
10 - 49members
FromUndisclosedforAnimation
Located inHong Kong
Eighty Eight Pixels
Animation
Eighty Eight Pixels is a video production and digital marketing agency based in Hong Kong. We work with companies big and small to produce creative content and provide digital marketing products and services, at all times focusing on the ethical and sustainable best practices. We help our clients to increase brand value, meet consumer demands, attract valuable talent and create new opportunities. Hong Kong is our base but we work remotely with companies around the world.c
2 - 9members
From$1,000+forAnimation
Located inHong Kong
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Visualution Labs Limited
Animation
Visualution Labs is a creative laboratory based in Hong Kong. We cater towards a full range of content creation and production including commercials, corporate films, advertising for small companies global brand and any visual program that interested us.
10 - 49members
FromUndisclosedforAnimation
Located inHong Kong
4HK
Animation
4HK- For Hong Kong, is an experiencial agency that provides digital marketing services and consultation for our clients & brands. With a proven track record and reputation in the industry, we grow together with our client's business through data and providing insights for them reach their KPIs and achieve success. At 4HK we focus on solving our client’s problems through performance & creative solutions. x; background-color: #ffffff;">4HK is not just any digital marketing agency, we have built an extensive network or communities across various industries and channels. We engaged deeply with our clients with dedication and strive to innovate and stay ahead of the competitionRead more...
10 - 49members
FromUndisclosedforAnimation
Located inHong Kong
The Hong Kong Fixer
Animation
The Hong Kong Fixer is a digital content, film and video production agency. We help brands reach and grow their audience by delivering superior creative in aesthetic and cinematic assets to our clients in the advertising, corporate and entertainment world. Storytelling is in our DNA and In the age of purpose and authenticity we seek truth. We abide by the principle of TMS: Total Mission Success, based on 15 years experience on cinema and TV sets and a wide range of partners in the industry set us apart.
2 - 9members
FromUndisclosedforAnimation
Located inHong Kong
Axis Studio Limited
Animation
HIGH-QUALITY ANIMATION POST-PRODUCTION SERVICES IN HONG KONG Axis Studio is a post-production house like no other in Hong Kong. Our expertise is second to none, and our awe-inspiring animations are guaranteed to delight and leave a lasting impression on all audiences. For truly breathtaking post-production like you've never seen before, there's only one post-production company that will deliver in Hong Kong: Axis Studio.
2 - 9members
FromUndisclosedforAnimation
Located inHong Kong
Digital Business Lab
Animation
Digital Business Lab is a digital marketing agency in Hong Kong and Singapore, specialising in social media strategy, influencer marketing and video production. We help our clients localise their digital strategies across the APAC market and the unique social media platforms (Western, Chinese, Korean, Japanese, Taiwanese) through our understanding of different user habits, cultures and languages led by our local market experts. Our in-house team are able to create inspiring content, run and produce campaigns and provide advanced insight and data analytics. Our video production team is specialised in all stages of video production from pre to post-production. We have worked with clients from a host of industries, including luxury, cosmetics, entertainment, automotive, food and beverage, retail and more. While our main expertise is social media, we also partner with a range of digital experts to answer your needs, leveraging our experience to provide an end to end bespoke digital solution to develop your business.
10 - 49members
From$5,000+forAnimation
Located inHong Kong
KREW LIMITED
Animation
Our team is formed by veteran from award winning agencies. With creative, media and analytic talents, our analytic driven approach makes sure creativity has been placed on correct channels to amplify strong results and performance. Differentiating from other digital agencies, we can also handle ATL / BTL and event management. KREWatch is a cutting edge Big-Data analytic methodology which can check user behavior of facebook, instagram, linkedin, whatsapp and even telegram. Use cases including top property developers, FMCG, retail, hotel, etc. KREWatch is a breakthrough of social media monitoring and listening. Our core services: Digital Marketing Social Media Analytics Read more...
2 - 9members
From$10,000+forAnimation
Located inHong Kong
Fluxus Productions Limited
Animation
Fluxus Productions is a Hong Kong based photo, video and event production house that provides creative multimedia solutions. We use our strong connections with industry professionals and the student community to incorporate the latest professional technology and workflows with innovative and youthful ideas to deliver the most professional and creative products for all audiences.
2 - 9members
FromUndisclosedforAnimation
Located inHong Kong
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Hong Kong Animation Studios List (13)
Hong Kong Animation Studios Prices
| Animation Studios | Prices |
| Lime Content Studios | $25,000+ |
| Eighty Eight Pixels | $1,000+ |
| Digital Business Lab | $5,000+ |
| KREW LIMITED | $10,000+ |
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Who buys animation in Hong Kong, and what they actually order
The client base here is unusually narrow and unusually demanding. Banks, insurers, asset managers, property developers, airlines, logistics groups and luxury retail account for most of the commissioned work. What they order follows from that: investor and results films, broadcast style title sequences and data graphics, product films for watches, jewellery and cosmetics, brand loops for retail screens, and campaign motion built around a seasonal retail calendar.
Very little of the local supply is narrative entertainment. If your project is a children's series or a long form original, you are shopping against the grain of this market and should say so early. If your project is a polished corporate or retail piece that has to survive legal review and look expensive on a wall of screens, this is a strong place to buy it.
The screen you are buying for defines the animation
More than in most cities, the display comes first. Work ends up on tram side panels, lift lobby loops, mall atrium walls, curved mesh facades, station concourse boards and anamorphic corner billboards, each with its own aspect ratio, pixel pitch, brightness ceiling and playback engine. A file that looks superb on a laptop can turn into mud on a low resolution outdoor mesh, and fine detail that survives a cinema screen disappears on a lift lobby panel seen for four seconds.
Get the technical specification from the media owner before briefing anyone. Give the studio the exact canvas, the loop length, whether audio will ever be audible, and the safe area. Then ask how the animation will be adapted for each placement and whether those adaptations are inside the quoted fee or billed as separate versions, because that single question moves budgets more than technique does.
Three language versions are the baseline, not an upsell
Most work here ships in traditional Chinese characters with a Cantonese voice, and frequently in English and in Mandarin as well. Treating this as post production dubbing produces the familiar broken result: text boxes sized for English, character spacing that looks wrong to a local reader, and lip flap that matches nothing.
Ask for the layout to be designed around the longest version, ask which language is the master for timing, and ask to see one finished frame in each language before production scales up. Voice talent is usually contracted per language and per usage term, so confirm whether the quoted fee covers broadcast, social and in store playback, or only one of them.
Cross border production is normal, so put it in writing
Plenty of studios in this city keep a small senior core and push frame production, clean up or rendering to partners across the border in the Greater Bay Area. That is a sensible cost structure and nothing to be nervous about, but it needs to be visible rather than discovered.
Ask directly which parts of the pipeline stay in house, who holds the client relationship if a partner is used, and where your source material will be stored and processed. If you are handing over unreleased product photography, financial figures or customer data, the location of the machines matters to your own compliance team. Get a named confidentiality clause covering subcontractors, not just the studio.
Regulated clients should schedule review as a production stage
If your business is licensed, the approval chain is longer than the production. Marketing material for financial products passes compliance, sometimes twice, and reviewers comment on wording, on risk statements and on whether a chart implies a promise. Animated charts are particularly exposed, because a number rising smoothly across the screen reads as a forecast even when the voice track is careful.
Build two compliance passes into the timeline, one on the animatic and one on the picture locked version, and make sure the studio quotes for the text changes that will come out of them. Teams that have worked with licensed clients will suggest this themselves; teams that have not will promise a single round of amendments and then invoice for the rest.
What should arrive alongside the finished file
Ask for the working project, the layered artwork, any character rigs, the audio stems and a version of the master with the text on a separate layer. That last item sounds trivial and saves a great deal later: it lets you produce a new language, a new price point or a new legal line without paying for a rebuild.
Ownership needs stating rather than assuming. Agree that rights pass on final payment, and check music and voice licences separately, since both are normally sold for a fixed term and a defined set of channels. Where a studio has bought stock elements or a third party plugin look, ask whether the licence follows the file to you or stays with the studio.
The seasonal calendar compresses the whole year
Retail and finance here run to a tight annual rhythm, and everyone commissions into the same peaks. The weeks before Lunar New Year, the mid year results season and the run up to the winter shopping period absorb the good freelancers first. Book senior directors and lead animators for those windows months ahead, or accept the team you get.
The reverse is also true and is worth exploiting. Commission in a quiet stretch and you will get more attention, more revision patience and better availability for the same money.
Turning proposals from Hong Kong animation studios into a fair comparison
Put every proposal onto one page with the same rows: finished duration, technique, how many versions and languages are included, how many review rounds, whether design and animatic sit inside the fee, delivery specifications per placement, and what transfers at the end. Quotes in this market look wildly different mainly because they draw the boundary in different places.
Give each studio the same written brief and the same reply deadline, and resist the temptation to explain the project better to the second one. When you want to look wider, the full directory of animation studios by city is the place to start, teams in nearby markets such as the studios listed in Singapore often bid on the same work, and a single request for proposals will put comparable replies in front of you. If part of the job is really interface motion or product demonstration, check what the software firms working here already have in their own pipelines first.